Permanent Collection
Comprising over 600 works, CAM’s Permanent Collection is focused on contemporary fine art prints and original works in all media by Pacific Northwest artists. The fine art print collection contains many works by major American artists including Alexander Calder, Warrington Colescott, Red Grooms, Robert Rauschenberg, and Larry Rivers. The Collection continues to grow through donation.
Since 1995, CAM’s Adopt an Artwork program has improved the condition of over 143 works. Everyone may “adopt an artwork” by underwriting the cost of reframing or restoring a work. Donors are acknowledged whenever the adopted works are exhibited.
Last Name | First Name | Title | Medium | Image Vertical | Image Horizontal | Depth |
Allen | Jere | Water Series | Oil | 22 3/4 | 17 | |
Alps | Glen | untitled | Collagraph | 22 1/4 | 27 3/4 | |
Altman | Harold | October | Lithograph A/P | 26 1/2 | 18 3/4 | |
Altman | Harold | Park with Seven Figures | Etching A/P | 11 3/4 | 19 3/8 | |
Altman | Harold | Path II | Etching / Aquatint 112/140 | 15 3/4 | 17 3/4 | |
Antreasian | Garo | untitled | Lithograph 14/20 | 26 1/2 | 38 | |
Antreasian | Garo | untitled | Lithograph A/P | 24 7/8 | 24 7/8 | |
Antreasian | Garo | untitled | Lithograph Trial/Proof | 22 5/8 | 35 | |
Baron | Jerry | At the Humboldt Club, North Bend | Acrylic | 15 1/2 | 19 1/2 | |
Baron | Jerry | Home the Hunter | Acrylic | 15 1/4 | 24 1/2 | |
Baron | Jerry | Virginia Inn, Seattle | Acrylic | 39 1/2 | 29 1/2 | |
Beling | Helen | Ascent | Belplast | 32 | 28 1/4 | 5 5/8 |
Beling | Helen | Business is Bad | Resin | 20 5/8 | 8 5/8 | 9 1/2 |
Beling | Helen | St. Francis with Bird | Bronze | 8 3/4 | 3 1/2 | 1 1/2 |
Bennett | Eugene | untitled | Collage, tin, nails, sand, oil, walnut shells | 10 1/2 | 11 7/8 | |
Bennett | Eugene | untitled | Collage, tin, nails, tacks, sand, oil | 11 | 14 | |
Berthot | Jake | untitled | Acrylic | 44 | 40 | |
Black | Wendell | Dead Sea Gull | Engraving 22/25 | 23 1/4 | 13 3/8 | |
Black | Wendell | Mountainscape | Engraving 21/25 | 19 1/2 | 26 3/4 | |
Boyden | Frank | Meteor | Bronze & silver | 8 1/2 | 16 1/2 | 13 |
Boyden | Frank | untitled | Stoneware | 24 | 24 | 2 |
Bronson | Bonnie | Blue Enamel | Enameled steel | 42 1/2 | 36 1/8 | |
Brophy | Michael | Drift: Driftwood 4 | Oil | 60 | 54 | |
Brown | James | Endo 2 | Oil | 11 1/2 | 15 1/2 | |
Brown | James | Stampede | Oil | 11 1/2 | 15 1/2 | |
Brown | James | The Weird Train | Oil | 17 1/2 | 23 1/2 | |
Buckner | Hal | Bronze Woman | Bronze | 34 1/2 | 14 3/4 | 7 3/4 |
Buckner | Hal | untitled | Oil | 25 5/8 | 70 | |
Burford | James | Solo | Oil / Collage | 47 1/2 | 35 5/8 | |
Canaga | Robert | Blue Bowl | Oil / Wax | 36 | 36 | |
Casarella | Edmond | Climax | Woodcut A/P | 20 1/4 | 18 | |
Casarella | Edmond | Haven | Woodcut A/P | 28 | 19 1/2 | |
Casarella | Edmond | Swamp Bank | Paper cut, relief print 15/24 | 25 3/4 | 34 | |
Casey | John | Orbis | Vacuum-formed uvex | 11 1/2 | 11 1/4 | 4 3/4 |
Cassara | Frank | Terreno II | Etching 6/35 | 17 3/4 | 23 5/8 | |
Chambers | Susan | Looking for a Break | Photography | 6 3/4 | 10 1/4 | |
Chandler | Elaine | Time Machine | Serigraph/Embossing 4/15 | 17 1/2 | 13 | |
Charette | Phillip | Moonlight Spirit | Mixed media (ceramic, glass, wood, feathers) | 39 | 32 | 14 |
Clarke | Mark | Rocks No. 8 | Collage | 14 1/2 | 19 1/2 | |
Coe | Margaret | Rocks & Leaves No.2 | Oil | 24 1/2 | 18 1/2 | |
Colburn | Jon | The Playground | Gouache | 21 | 29 | |
Colescott | Warrington | George Washington Meets Betsy Ross, but Too Late | Etching 10/75 | 22 1/4 | 18 3/4 | |
Colescott | Warrington | Secretary Seward Buys Alaska | Etching 12/75 | 17 | 22 3/4 | |
Colescott | Warrington | William Randolph Hearst Declares War on Spain | Etching 5/75 | 22 3/4 | 17 | |
Comerford | Susan | River Collage | Etching / Collage 2/6 | 34 1/4 | 23 3/4 | |
Cookson | Jayne | A La Plage II | Linoleum block print/reduction 10/14 | 17 1/2 | 23 1/4 | |
Corum | Quinn | Earth Forms : Night Hush | Fiber | 32 | 44 | |
Cox | Pauline | Chinese Waves | Watercolor | 19 3/4 | 28 | |
Cruson | Jon | Pacific Tapestry (Hy-as Salt Chuck portfolio) | Lithograph 15/25 | 9 1/2 | 12 1/2 | |
Cruson | Jon | Nye Beach (Hy-as Salt Chuck portfolio) | Lithograph 15/25 | 9 1/2 | 12 1/2 | |
Cruson | Jon | Arch Rock (Hy-as Salt Chuck portfolio) | Lithograph 15/25 | 9 1/2 | 12 1/2 | |
Darr | Chris | Skidmore Bouquet | Linocut 5/20 | 15 5/8 | 11 | |
Davison | Phil | Spring | Watercolor | 26 | 20 | |
Deshaies | Arthur | USA, The American Country | Engraving / Drypoint 10/50 imp | 22 5/8 | 35 1/4 | |
Detton | Shelley | La Esperanza | Monoprint | 34 | 12 | |
Dodge | Dani | Child’s Play | Acrylic / Mixed media | 36 | 48 | |
Donaldson | Julia | Sir Winston Churchill Narcisses | Fiber | 17 | 15 1/2 | |
Edmondson | Leonard | Flower Power | Etching 32/75 | 17 3/8 | 21 1/2 | |
Edmunds | Charles | From Land to Sea | Watercolor | 18 1/2 | 31 1/2 | |
Edmunds | Charles | New Wheel, New Paint | Watercolor | 18 1/2 | 24 1/2 | |
Edmunds | Charles | The Charleston Bridge | Oil | 23 3/4 | 35 1/2 | |
Edmunds | Charles | Merchants Beach | Watercolor | 14 | 21 1/4 | |
Edmunds | Charles | The Boatyard | Watercolor | 13 1/2 | 22 | |
Erl | Janet Tarjan | Filleting the Catch | Watercolor/Gouache | 16 1/2 | 23 3/4 | |
Falke | Terry | Standing Rock, Navajo Reservation, Northern Arizona, 1999 | Photography (film) | 17 3/4 | 22 1/4 | |
Falke | Terry | untitled | Photography (film) | 13 1/2 | 10 1/2 | |
Falkenstein | Claire | Moving Point #1 | Ink drawing | 22 | 29 1/2 | |
Falkenstein | Claire | Organic Form – Bones | Drawing, marker | 8 | 9 | |
Falkenstein | Claire | untitled | Cast paper | 25 1/2 | 24 1/2 | |
Farmer | Tom | Afternoon | Monotype | 14 | 20 1/2 | |
Farmer | Tom | untitled | Mixed media | 18 | 29 | |
Farmer | Tom | untitled | Monotype | 13 | 20 3/8 | |
Farmer | Tom | untitled | Mixed media | 28 | 20 | |
Fricano | Tom | Geographic Specimens | Etching / Embossing 2/10 | 19 7/8 | 17 | |
Fricano | Tom | O-2 Bird | Etching / Embossing A/P | 20 5/8 | 20 5/8 | |
Fricano | Tom | Osterreich | Etching / Embossing A/P 3/4 | 19 3/4 | 16 3/4 | |
Fullerton | Stan | untitled | Oil / Collage | 50 1/2 | 54 | |
Gardner | Byron | Black Land Wave | Pastel | 17 | 34 | |
Gardner | Byron | Red Mesa, Blue Field | Oil | 51 1/8 | 43 1/2 | |
Gardner | Byron | untitled | Watercolor | 21 5/8 | 15 | |
Geisert | Mitch | Mary Wilson Triptych (right panel) | Acrylic | 54 1/8 | 43 1/2 | |
Geisert | Mitch | Mary Wilson Triptych (center panel) | Acrylic | 53 3/4 | 97 1/4 | |
Geisert | Mitch | Mary Wilson Triptych (left panel) | Acrylic | 53 7/8 | 65 1/2 | |
Geisert | Mitch | The Old Jester (Le Vieux Plaisant) | Acrylic | 69 3/8 | 28 1/8 | |
Gilkey | Gordon | Fractured Earth | Collagraph / Etching / Embossing A/P imp | 14 1/2 | 19 | |
Goldsby | Al | Landscape | Etching 3/4 | 6 | 34 | |
Gould | Norman | Familular Morgenstense | Etching A/P | 17 5/8 | 21 3/4 | |
Gould | Norman | Human Myriad | Oil | 52 1/2 | 66 | |
Grooms | Red | Mango, Mango | Serigraph 198/250 | 39 3/4 | 28 1/4 | |
Guyot | Tom | Bork | Graphite drawing | 11 | 8 | |
Hackman | Vida | Landscape Interval I | Etching A/P | 23 1/2 | 30 1/4 | |
Hall | Carl | Raven | Watercolor/Gouache | 11 1/2 | 10 | |
Hall | Carl | Shaman’s Bones | Watercolor/Gouache | 35 5/8 | 36 3/8 | |
Hall | Howard | Boiler Bay | Oil | 48 1/4 | 60 | |
Hall | Howard | Rogue River Canyon | Oil | 31 3/4 | 35 3/4 | |
Hansen | Art | The Tavern | Etching (3 in one frame) | 8 7/8 | 8 7/8 | |
Hansen | Art | A Private Club | Etching (3 in one frame) | 10 | 9 5/8 | |
Hansen | Art | The Stripper | Etching (3 in one frame) | 8 7/8 | 8 7/8 | |
Hardy | Tom | Coos Bay Dredging Equipment | Watercolor | 18 1/2 | 26 1/4 | |
Hardy | Tom | Foothills | Etching A/P | 8 | 17 3/4 | |
Hardy | Tom | Sea Piece | Welded bronze | 39 1/4 | 59 1/4 | 5 7/8 |
Hardy | Tom | Torso | Watercolor | 29 5/8 | 19 5/8 | |
Hardy | Tom | Horses | Welded bronze | 33 1/2 | 80 | 28 |
Haseltine | Maury | Undertow #2 | Oil | 33 1/2 | 47 5/8 | |
Hawthorne | Chris | untitled | Glass | 14 3/4 | 16 | 8 |
Hayter | Stanley | Survol | Lithograph 128/150 | 25 | 17 5/8 | |
Hedges | Mary | untitled | Raku | 12 | 9 1/2 | 9 1/2 |
Heidel | Frederick | Dionysian Garden | Laminated Glass | 82 | 89 | 2 |
Henderson | Jack | Rising | Oil | 41 1/2 | 49 3/8 | |
Hill | Steven R. | All Tied-Up, Bermeo, Spain | Pastel | 17 1/2 | 23 1/2 | |
Hiratsuka | Yuji | Diamonds, Always and Forever | Intaglio/Chine collé 5/10 | 18 | 23 7/8 | |
Hnizdovsky | Jacques | Beech Tree | Woodcut 60/100 | 14 1/2 | 19 1/2 | |
Holbert | Merrie | Mama’s Comfrey Bed | Watercolor | 14 | 20 | |
Holm | Mike | Canary | Photography | 10 1/4 | 13 1/4 | |
Holm | Mike | Franciscan | Photography | 13 1/2 | 10 1/2 | |
Holm | Mike | Sexy Rock | Photography | 11 1/8 | 15 1/4 | |
Holm | Mike | Soft Drive | Photography | 10 5/8 | 14 7/8 | |
Horsting | Archana | Water Lilies After Eugène Atget’s Nymphea | Paint stick | 28 | 39 1/4 | |
Hull | Jeffrey | Along the Path | Watercolor | 18 3/4 | 31 | |
Izquierdo | Manuel | Anvil Flowers | Conté crayon | 37 | 23 3/4 | |
Izquierdo | Manuel | Caryatid | Terra cotta | 8 | 3 3/4 | 2 1/4 |
Izquierdo | Manuel | Flower Figure | Welded steel | 26 1/2 | 12 | 7 1/2 |
Izquierdo | Manuel | Flower with Torso | Mixed media | 18 1/2 | 23 1/4 | |
Izquierdo | Manuel | Four of Spades | Welded steel | 17 1/2 | 15 1/2 | 14 3/4 |
Izquierdo | Manuel | Temple | Terra cotta | 11 | 6 1/8 | 6 1/8 |
Izquierdo | Manuel | Windmill Flower | Sumi ink | 18 1/4 | 22 3/4 | |
Izquierdo | Manuel | Woman #40 | Mixed media | 28 1/4 | 21 3/4 | |
Jenkins | Ed | Whaling Bark, Alice Knowles | Drypoint | 6 | 3 3/4 | |
Jenkins | Ed | Unbending Mains’l | Drypoint | 4 1/8 | 6 1/8 | |
Jenkins | Ed | Port O’Call | Drypoint | 5 | 4 | |
Johanson | George | Juxtapositions – Sky Grid | Etching / Embossing 1/30 | 19 1/4 | 15 3/4 | |
Johanson | George | Juxtapositions – Egg | Etching / Embossing 1/30 | 19 1/4 | 15 3/4 | |
Johanson | George | Juxtapositions – Landscapes | Etching / Embossing 1/30 | 21 1/4 | 15 3/4 | |
Johanson | George | Juxtapositions – Targets | Etching / Embossing 1/30 | 20 | 15 3/4 | |
Johanson | George | Juxtapositions – Apple & Curtain | Etching / Embossing 1/30 | 15 3/4 | 18 1/4 | |
Johanson | George | Juxtapositions – Black Bat | Etching/ Embossing 1/30 | 19 5/8 | 15 7/8 | |
Johanson | George | Juxtapositions – Green Pepper | Etching / Embossing 1/30 | 20 1/8 | 15 3/4 | |
Johanson | George | Juxtapositions – Torsos and Orchid | Etching / Embossing 1/30 | 15 3/4 | 19 1/4 | |
Johanson | George | Juxtapositions – Wall | Etching/ Embossing 1/30 | 15 3/4 | 19 1/4 | |
Johanson | George | Juxtapositions – Four Figures | Etching / Embossing 1/30 | 16 | 19 7/8 | |
Johnston | Ann | Clouds | Fiber | 22 7/8 | 21 | |
Jones | John | Annunciation | Etching A/P | 27 1/2 | 21 3/4 | |
Jones | John | Girl for Goya | Lithograph 4/20 | 30 1/8 | 22 1/4 | |
Kadar | Kevin | Figure #595 | Oil | 6 7/8 | 7 7/8 | |
Kadar | Kevin | Figure #84 | Acrylic | 6 | 9 | |
Kadar | Kevin | untitled | Acrylic | 5 1/4 | 7 | |
Kadar | Kevin | untitled | Oil | 9 1/8 | 6 1/4 | |
Kaplan | Jerome | Mr. Becker | Etching Ed. 40 | 16 3/4 | 13 3/4 | |
Kaplan | Jerome | Reve Rite | Lithograph 42/45 | 18 | 23 1/2 | |
Kaplan | Jerome | Station | Lithograph 31/35 | 16 3/4 | 19 | |
Karl | Maggie | Autumn Colors/Eighth Hole | Oil | 31 1/2 | 39 5/8 | |
Karl | Maggie | Coos Head Burner | Oil | 27 1/2 | 31 3/8 | |
Karl | Maggie | Reflections | Collage | 32 | 48 | |
Karl | Maggie | View of North Bend | Oil | 35 | 35 | |
Kelly | Lee | Toward River in Two Parts (study for the sculpture) | Watercolor | 15 1/2 | 12 1/4 | |
Kelly | Lee | Broken River (study for the sculpture) | Watercolor | 16 | 14 | |
Kelly | Lee | Broken River | Cor-Ten steel | 3′ 5″ | 4′ 8″ | 5′ 1″ |
Kensler | Barbara | Prismatic Window | Fiber | 32 | 31 | |
Kent | Jane | The Wonderful Mr. Man | Etching 100/100 | 22 | 15 | |
King | Tony | Groups | Acrylic | 60 | 72 1/8 | |
Kipniss | Robert | Winter Evening | Mezzotint | 9 1/4 | 13 15/16 | |
Kipniss | Robert | Composition, upstate | Mezzotint 23/50 | 9 3/8 | 10 3/8 | |
Kipniss | Robert | Still life w/ kettle & fruit | Mezzotint 50/60 | 6 7/16 | 4 7/8 | |
Kipniss | Robert | Strong trees in the wind | Mezzotint 25/40 | 9 13/16 | 6 1/8 | |
Kipniss | Robert | Edge of the village | Mezzotint 4/30 | 11 1/2 | 9 1/4 | |
Kipniss | Robert | Pages from a sketchbook: #2 | Drypoint 36/60 | 9 7/8 | 8 | |
Kipniss | Robert | Pages from a sketchbook: #3 | Drypoint 23/60 | 9 3/8 | 6 7/8 | |
Kipniss | Robert | Shadows | Lithograph A/P | 12 | 10 | |
Kipniss | Robert | The Evening Sun | Lithograph HC | 13 | 10 1/16 | |
Knudsen | Thomas | The Spaniard | Wood & leather | 22 | 15 5/8 | 26 |
Kobrin | Lowell | Waiter-Café Du Monde | Photography | 20 3/4 | 9 7/8 | |
Kohn | Misch | Long Beaked Bird | Lithograph A/P | 27 1/2 | 19 1/4 | |
Kohn | Misch | The General | Etching/ Chine collé 50 imp 2nd state | 17 3/8 | 9 | |
Kohn | Misch | Trio | Wood engraving 30 imp | 23 | 15 3/4 | |
Koltz | Adam | Schooner Juventa, 1865 + chart | Watercolor | 30 1/2 | 26 1/2 | |
Konopka | Joseph | Route 523 | Acrylic | 42 1/4 | 44 1/4 | |
Konopka | Joseph | Train Station | Acrylic | 49 | 44 1/8 | |
La Duke | Betty | Chinese Winter Landscape (1) | Acrylic | 33 3/4 | 22 | |
La Duke | Betty | Chinese Winter Landscape (2) | Acrylic | 36 | 28 | |
La Duke | Betty | Chinese Winter Landscape (3) | Acrylic | 36 | 28 | |
La Duke | Betty | Chinese Winter Landscape (4) | Acrylic | 36 | 28 | |
La Duke | Betty | Chinese Winter Landscape (5) | Acrylic | 33 3/4 | 22 | |
La Duke | Betty | Memories of the Bitter Past | Acrylic | 62 | 54 1/4 | |
La Duke | Betty | Peking Bicycle Riders | Acrylic | 62 | 54 1/4 | |
La Duke | Betty | Political Discussion | Mixed media | 33 3/4 | 22 | |
La Duke | Betty | Spirits Old and New | Acrylic | 68 | 54 | |
La Duke | Betty | The Foolish Old Man Who Removed the Mountains | Etching 4/25 | 17 | 16 | |
La Duke | Betty | Oregon Coast | Acrylic | 50 3/8 | 58 | |
La Duke | Betty | Pursuit | Woodcut 2/6 | 26 3/8 | 47 5/8 | |
Laird | Jan | Decadence is Marriage: Bob | Oil | 37 1/4 | 48 1/4 | |
Laird | Jan | Greatness Takes So Long: Larry | Oil | 43 1/2 | 35 5/8 | |
Laird | Jan | Shannon | Oil | 45 3/4 | 30 3/4 | |
Laird | Jan | Space Child: Billy | Oil | 36 1/8 | 25 3/4 | |
Laird | Jan | untitled | Pastel | 24 1/2 | 18 1/4 | |
Landau | Jacob | Behold, I Will Send You Elijah | Lithograph A/P X1V | 22 3/8 | 30 3/8 | |
Landau | Jacob | I, John Brown | Lithograph 2nd state 46/50 | 33 1/4 | 24 | |
Landeck | Armin | Black House, Bleeker Street | Engraving | 23 3/4 | 18 | |
Landeck | Armin | Fish | Engraving | 18 | 23 5/8 | |
Landeck | Armin | Rooftop & Skylights | Engraving | 18 | 20 3/4 | |
Lasker | Joe | Cezanne Observed | Oil | 29 3/8 | 39 1/2 | |
Law | Margaret | Mountain Stream | Watercolor | 27 | 19 | |
Liepe | Madeleine | Edge of the Park | Oil | 34 | 49 1/4 | |
Livingston | Annell | Fragments Geometry & Change #254 | Flashe | 20 | 20 | |
Loehr | Joellyn | East of Here | Oil | 53 7/8 | 41 3/4 | |
Lott | Jimi | untitled | Photography | 17 1/4 | 11 | |
Lybecker | Kirk | A Return to the Real World | Watercolor | 25 1/2 | 40 1/4 | |
Lybecker | Kirk | A Rose of High Romance | Watercolor | 41 1/4 | 53 | |
Lybecker | Kirk | Chain Link Madness | Watercolor | 29 1/2 | 21 3/4 | |
Lybecker | Kirk | Even Damnation Poisoned by Rainbow | Watercolor | 38 | 42 3/4 | |
Lybecker | Kirk | T-Bird | Watercolor | 42 1/4 | 34 1/8 | |
Lybecker | Kirk | Shoes of Osimandius (sic) | Watercolor | 20 5/8 | 28 1/4 | |
Martin | Gan | Afternoon at the Beach | Oil-base enamel | 25 1/2 | 38 1/2 | |
Martin | Gan | Life Drawing | Oil-base enamel | 23 1/2 | 35 1/2 | |
Martin | Gan | The Window | Oil-base enamel | 23 1/2 | 35 1/2 | |
Martin | Gan | Seed Pods | Oil-base enamel | 27 | 27 3/4 | |
Massey Jr. | Charles | Skyhook Start, Progression | Lithograph 28/50 | 8 3/4 | 20 1/4 | |
Massey Jr. | Charles | Yesterday’s Holder, Holding | Lithograph A/P | 21 3/4 | 14 3/8 | |
Matoush | Lyle | Frostbite | Etching/ Embossing/ Chine collé 17/18 | 17 1/4 | 9 7/8 | |
Matoush | Lyle | Quicksilver | Lithograph/ Embossing/ Chine collé 20/26 | 25 3/8 | 17 3/4 | |
Mattingly | James | Old Man Print | Woodcut A/P | 12 3/4 | 8 1/8 | |
McCosh | David | Goat | Oil | 35 3/4 | 39 3/4 | |
McCosh | David | Maguey | Watercolor | 14 | 21 1/4 | |
McCosh | David | untitled | Watercolor | 14 | 21 | |
McVicker | J. | Blue Ambiance | Etching 18/30 | 11 3/4 | 16 1/4 | |
McVicker | J. | Dark Structure | Etching / Aquatint 38/40 | 14 3/4 | 9 7/8 | |
McVicker | J. | Orange Accent | Etching 11/15 | 10 3/4 | 15 3/4 | |
Meeker | Dean | Joseph | Etching18/60 | 23 7/8 | 17 1/4 | |
Meeker | Dean | Lisa | Etching 57/60 | 32 1/4 | 19 3/4 | |
Meeker | Dean | Phaeton and the Horses of the Sun | Etching 17/60 | 21 3/4 | 29 3/4 | |
Morrison | Ivan | untitled | Oil | 60 | 47 3/4 | |
Morrison | Ivan | untitled | Oil | 60 | 47 3/4 | |
Morrow | Ceci | Daghestan Prayer Rug | Acrylic | 47 | 23 1/4 | |
Mostert | Christiaan (Dutch) | Frayed and Forgotten | Watercolor | 16 3/4 | 23 3/4 | |
Mostert | Christiaan (Dutch) | High Truckin’ | Acrylic | 23 1/4 | 48 | |
Munro | Alan | Heat | Watercolor | 22 1/4 | 30 1/4 | |
Myers | Malcom | Knight, Death and the Devil | Etching 10/25 | 23 5/8 | 29 3/4 | |
Osgood | Kim | A Passing Moment | Monotype / Chine colle´ | 23 7/8 | 17 7/8 | |
Ottum | Phil | Long Tom River | Photography (film) | 9 1/4 | 7 1/2 | |
Oxman | Katja | An Acre for a Bird to Choose | Aquatint 45/75 | 23 3/4 | 29 3/4 | |
Oxman | Katja | In an Adjoining Room | Aquatint 29/100 | 23 3/4 | 21 3/4 | |
Oxman | Katja | Most Practiced Distance | Aquatint 140/150 | 32 5/8 | 23 3/4 | |
Oxman | Katja | In the Chamber | Aquatint 33/150 | 25 1/2 | 29 1/2 | |
Padgett | Walt | Red Fuji | Woodblock print | 17 1/2 | 23 3/4 | |
Pander | Henk | Great Market of Haarlem | Oil | 53 3/4 | 63 3/4 | |
Pander | Henk | The Sinking of the New Carissa | Oil | 47 1/4 | 54 1/4 | |
Parker | Lucinda | Abex Valley Green | Acrylic | 25 1/4 | 25 1/4 | |
Paul | Ken | Mountain Imposition | Acrylic | 36 1/8 | 23 5/8 | |
Paulin | Richard | Sag Harbor Supper | Woodcut 1/10 | 20 1/8 | 18 1/4 | |
Peterdi | Gabor | Gulls in the Wind | Drypoint 11/25 imp | 19 1/2 | 23 1/2 | |
Peterdi | Gabor | Lanikai Reef V | Etching 3/50 imp | 17 3/4 | 24 | |
Peterdi | Gabor | Red Red Eclipse | Etching A/P 1 | 17 1/4 | 23 1/2 | |
Peterdi | Gabor | Red Reef | Etching 2/30 imp | 19 3/8 | 23 1/2 | |
Peterdi | Gabor | Thicket | Etching A/P III | 11 5/8 | 17 5/8 | |
Peterdi | Gabor | Winter II | Etching imp | 17 | 23 5/8 | |
Plotkin | Linda | Green Morning | Lithograph 68/175 | 26 3/4 | 19 1/4 | |
Plotkin | Linda | One Morning | Etching / Aquatint 45/100 | 23 3/4 | 19 1/2 | |
Pozzi | Craig | Coos Bay, Oregon | Photography (film) | 9 | 13 1/4 | |
Purdy | Douglas | Predator | Bronze 1/10 | 27 1/2 | 26 | 23 |
Purdy | Douglas | Duo | Bronze 1/25 | 18 | 9 3/ 4 | 7 |
Purdy | Douglas | Goat | Bronze 8/10 | 11 1/4 | 12 | 5 |
Purdy | Douglas | Llama Family | Bronze 1/10 | 30 | 17 | 18 |
Redwood | Clayton | Cosmic Event | Mixed media | 29 1/2 | 39 1/2 | |
Richmond | Rebekah | The Long Sleep | Etching 13/120 | 5 1/2 | 11 7/8 | |
Riese | Beatrice | Six from Bolivia | Oil | 54 | 46 1/ 8 | |
Rios | Diego | Hired to Fire as Soon as Possible! | Woodcut A/P | 24 | 48 | |
Rios | Diego | Peace Keeper | Woodcut | 45 | 31 1/4 | |
Rivers | Larry | Living at the Movies | Lithograph/Serigraph 75/175 | 21 1/4 | 26 1/4 | |
Robertson | Ward | Lower Bay | Photography (film) 1/80 | 7 3/8 | 9 1/2 | |
Robertson | Ward | untitled | Photography (film) | 11 1/2 | 7 1/2 | |
Rock | John | Charities | Lithograph 7/10 | 27 3/8 | 18 1/4 | |
Rock | John | Yaquina Lighthouse (Hy-as Salt Chuck portfolio) | Lithograph 15/25 | 9 1/2 | 11 3/4 | |
Rock | John | Tidal Pools (Hy-as Salt Chuck portfolio) | Lithograph 15/25 | 9 1/4 | 12 | |
Rock | John | Beach Cabin (Hy-as Salt Chuck portfolio) | Lithograph 15/25 | 9 3/4 | 12 1/2 | |
Rolichek | Mitch | untitled | Wood carving | 29 3/4 | 52 1/2 | 21 1/2 |
Romano | Clare | New Jersey Landscape II | Collagraph A/P | 23 1/4 | 24 1/4 | |
Romano | Clare | On the Grass | Collagraph A/P | 10 1/8 | 30 3/8 | |
Rosa | Lilly | The Maestro Leonardo | Etching 4/5 | 9 7/8 | 7 3/4 | |
Ross | John | Till the Morning Comes | Collagraph 24/75 | 17 | 34 1/4 | |
Ross | John | Wharf | Collagraph 16/50 | 13 1/2 | 25 1/4 | |
Rouzie | A. William | Orion | Watercolor | 20 1/2 | 28 1/4 | |
Rouzie | A. William | Yaquina at Charleston | Watercolor | 20 5/8 | 28 1/4 | |
Rudisill | Susan | Narrows View | Charcoal drawing | 17 1/4 | 13 5/8 | |
Rudisill | Susan | Road Cut: Rape of the Innocent | 4 Charcoal drawings in one frame | 9 1/2 | 8 1/4 | |
Rudisill | Susan | Susan Creek Falls | Mixed media | 22 1/4 | 16 1/2 | |
Ryan | Charles | untitled | Oil | 29 | 34 3/4 | |
Saltzman | Florence | Bleached Beach Bones | Oil | 26 1/4 | 40 3/4 | |
Saltzman | Florence | Sunset Red, Countryside | Acrylic | 19 | 25 | |
Sandgren | Erik | Maelstrom | Woodcut A/P | 11 1/2 | 14 | |
Sandgren | Erik | Misty Fjord:Southeast Alaska by Boat | Acrylic | 23 3/8 | 17 3/8 | |
Sandgren | Erik | Raven Primordial | Linocut A/imp | 14 | 10 7/8 | |
Sandgren | Erik | Tahoma : Mountain Mythos | Acrylic | 22 | 28 | |
Sandgren | Erik | Yaquina: Wind-Blown Light | Watercolor | 14 3/8 | 21 1/2 | |
Sandgren | Nelson | Beach Genre | Lithograph 20/60 | 19 1/2 | 37 7/8 | |
Sandgren | Nelson | Dark Summer Sea | Watercolor | 21 3/4 | 29 | |
Sandgren | Nelson | Fireweed | Oil | 35 | 47 1/4 | |
Sandgren | Nelson | Rocks at Bandon | Watercolor | 21 1/2 | 29 | |
Sandgren | Nelson | untitled | Gouache | 14 | 10 1/2 | |
Sandgren | Nelson | Wafted Fog | Lithograph 9/10 | 22 | 24 3/4 | |
Saylor | Grant | The “Rocky” at La Push,WA | Watercolor | 9 1/4 | 12 1/2 | |
Schenck | William | Wyoming Plus VI (Gregory Peck on a Horse) | Oil | 67 1/2 | 47 1/2 | |
Schneuer | David | Afternoon Meeting | Serigraph A/P 17/30 | 10 5/8 | 8 3/4 | |
Schneuer | David | untitled | Drypoint 29/150 | 9 5/8 | 7 3/4 | |
Schneuer | David | untitled | Etching / Drypoint 10/150 | 7 3/4 | 8 3/4 | |
Schneuer | David | untitled | Etching 20/150 | 8 1/4 | 7 3/4 | |
Schneuer | David | Waltz | Serigraph 288/300 | 11 | 8 | |
Seder | Sylvia | King, Queen & Blue Eyed Dog | Mixed media | 10 | 13 3/4 | |
Sennick | Lou | Halibut Fisherman | Photography | 9 | 13 1/2 | |
Sheehan | Evelyn | A Leisurely Model | Collage / Mixed media | 12 | 17 3/4 | |
Sheehan | Evelyn | Widow and the Empty Chair | Acrylic | 25 3/4 | 34 1/4 | |
Shuck | Vicki | Bicicletas | Linoleum block print 4/20 | 9 | 11 7/8 | |
Shuck | Vicki | Drinkie-Drinkie | Linoleum block print 4/20 | 9 | 11 7/8 | |
Smith | Moishe | Almonds of Andalusia | Etching 38/50 | 17 1/2 | 24 7/8 | |
Smith | Moishe | Po Valley | Etching 26/50 | 16 1/2 | 23 1/2 | |
Smith | Moishe | Roman Holiday | Etching 8/60 | 19 1/4 | 25 3/8 | |
Snyder | Amanda | Baby Robin | Woodcut 4/30 | 11 1/4 | 8 3/4 | |
Snyder | Amanda | Blue Bird | Collage | 17 1/2 | 23 1/2 | |
Snyder | Amanda | Poppy–Friend from Bangkok | Oil | 12 3/4 | 9 3/4 | |
Snyder | Amanda | Shakespearean Forest | Oil / Collage | 21 1/4 | 26 1/4 | |
Snyder | Amanda | Sunflower Hula Girl | Oil | 44 3/4 | 20 3/4 | |
Snyder | Amanda | Two Clowns | Collage | 14 3/4 | 9 1/2 | |
Snyder | Pat | Ace & Queen of Spades | Engraving 15/100 | 7 3/8 | 6 | |
Snyder | Pat | American Indian Series l | Serigraph 1/10 | 8 | 12 1/2 | |
Snyder | Pat | American Indian Series ll | Serigraph 10/15 | 20 | 15 | |
Snyder | Pat | American Indian Series lll | Serigraph 14/ 25 | 21 7/8 | 16 3/8 | |
Snyder | Pat | Ready and Waitin’ in Charleston | Acrylic | 24 1/4 | 37 5/8 | |
Snyder | Ruth | Mendocino (Malibu Series #6) | Watercolor | 29 1/4 | 41 3/4 | |
Sperakis | Nicholas | The Viceroy | Woodcut 5/40 | 5 1/2 | 3 3/8 | |
Sprague | Don | untitled | Porcelain | 20 1/4 | 20 1/4 | 7 |
Stark | Larry | Ditch Lake | Serigraph 15/99 | 8 3/4 | 13 3/8 | |
Stark | Larry | West Branch Log | Serigraph 18/99 | 8 3/4 | 13 3/8 | |
Stasik | Andrew | Still Life / Landscape #5 | Lithograph 41/130 | 24 7/8 | 20 | |
Stasik | Andrew | Summer Landscape II | Lithograph / Serigraph A/P V | 25 1/8 | 15 5/8 | |
Stasik | Andrew | Summer XXXVI | Lithograph/Serigraph 9/31 | 30 | 22 1/4 | |
Steele | Jeanne | Crimson Twilight | Oil | 15 1/2 | 19 1/2 | |
Steensma | Jay | Portrait of M. Hickey | Ink drawing | 4 3/4 | 3 | |
Steensma | Jay | untitled | Drawing | 10 1/4 | 8 1/4 | |
Stone | Gwen | Tale of Genji VII | Collage / Embossing | 8 3/4 | 10 1/2 | |
Stone | Gwen | Toys on Burnt Umber | Serigraph, hand tipped 18/50 | 11 | 13 | |
Stone | Peter | Incision | Terra cotta | 14 1/8 | 12 | 2 |
Stone | Peter | Night Rip | Stoneware | 15 1/2 | 18 | 4 1/2 |
Sugiyama | Wataru | Peace and Strength | Terra cotta | 11 | 10 1/2 | 4 3/4 |
Summers | Carol | Navarro Ridge | Woodcut, multi-colored rubbing 75/75 | 48 5/8 | 36 3/4 | |
Talbot | Jonathan | Cape Arago Soundings | Collage | 5 | 5 | |
Talbot | Jonathan | Coos Bay Patrin | Collage | 4 3/4 | 5 | |
Tift | Mary | Alphabet Plate | Etching 36/50 | 14 1/2 | 13 3/4 | |
Tift | Mary | Gum Ball Machine | Etching 39/50 | 16 1/8 | 9 1/2 | |
Tipton | Randall David | Shinrin-yoku | Oil | 40 | 40 | |
Turner | Janet | Roots and Ducks | Serigraph / Linoleum block print 52/185 imp | 11 5/8 | 34 3/8 | |
Turner | Janet | Sycamore Snag II | Serigraph / Linoleum block print 27/90 imp | 35 | 11 5/8 | |
Turner | Janet | Wintering Snow Geese | Serigraph / Linoleum block print 68/175 imp | 14 3/4 | 34 3/4 | |
Van Allen | Katrina | Harbor Dreaming | Oil | 35 7/8 | 51 7/8 | |
Van Allen | Katrina | Winter Jetty (left panel) | Oil | 48 | 60 | |
Van Allen | Katrina | Winter Jetty (right panel) | Oil | 48 | 35 5/8 | |
Van Dreal | John | Moon-lit Nude Seated in Tranquil Impersonation | Oil | 35 5/8 | 23 1/2 | |
Vaughan | Dorothy | Seal Rock | Watercolor | 20 3/4 | 27 3/4 | |
Vernon | Carol | Seascape Plate A | Ceramic | 13 | 13 1/4 | 2 1/4 |
Vernon | Carol | Seascape Plate B | Ceramic | 13 3/4 | 14 1/4 | 3 1/2 |
Vernon | Carol | Original Spirit Woman Dancing | Ceramic | 23 | 4 | 4 |
Volkerding | Laura | Log Dump and Sawmill, Isthmus Slough, Coos Bay | Photography (film) | 3 5/8 | 9 3/8 | |
Volkerding | Laura | untitled | Photography (film) | 7 1/2 | 9 1/2 | |
Walker | Kenneth | Breakfast, Introspection | Photography (film) | 13 | 10 | |
Ward | Lynd | Cup of Sky | Wood engraving | 20 | 11 7/8 | |
Ward | Lynd | Evening Walk | Wood engraving | 7 | 14 7/8 | |
Ward | Lynd | Flower Girl | Wood engraving | 7 1/4 | 13 | |
Webb | Joseph | Stone Mama | Limestone | 23 | 12 | 12 |
Wehrle | Clare | Study of a Young Man | Oil | 34 1/4 | 27 1/4 | |
Wehrle | Clare | Tracy | Oil | 27 1/4 | 15 3/8 | |
Wengenroth | Stow | Afternoon Light | Lithograph | 9 1/2 | 15 1/8 | |
Wengenroth | Stow | Cape Ann Marshes | Lithograph | 9 1/8 | 15 1/8 | |
Williames | Shedrich | Shedrich & Daughter CoCó | Photography (film) | 9 1/4 | 71/4 | |
Williames | Shedrich | untitled | Photography (film) | 9 3/8 | 7 3/8 | |
Wright | Donna | Island Paradise | Watercolor | 19 | 27 3/4 | |
Zach | Jan | Folded Form #1 | Stainless steel | 36 | 11 3/4 | 7 3/4 |
Ziemann | Richard | Black-eyed Susans | Etching 35/100 | 29 1/2 | 39 1/8 | |
Ziemann | Richard | Morning Light | Etching 35/100 | 28 1/8 | 39 1/4 | |
Ziemann | Richard | Rocky Landscape | Etching 27/100 | 21 1/4 | 35 3/8 | |
Zuniga | Francisco | Yucateca con Fruta | Lithograph 201/300 | 22 1/2 | 15 1/8 |